Here I am, thirty feet up, ten toes over the platform, hips arching forward, reaching for the heavy bar with my right hand. The sun is sinking over the ocean, washing the sky with purples and pinks. From here I can see all the way to Catalina. All that stands between me and flying is my decision to jump.
Not a year ago I'd climb to the third rung of a ladder and my knees would start shaking. "I'm scared of heights," I would say, gently stepping back down, offering the job to someone else.
Strange how long I carried that false fear around, considering I love roller coasters and seek thrills, and once on a ropes course, walked a tightrope forty feet up between trees. Still, if someone would ask me what I'm afraid of, I couldn't think of anything but "heights."
But that fear bores me now; I've decided that starting this year, heights don't scare me anymore. I began by climbing a ten-rung ladder into a loft at one of my jobs, and then a giant ladder onto a balcony during another. Today I'm wearing a harness, and my legs have yet to tremble. That's because I've decided that I'm going to do everything that's expected of me from these buff trapeze teachers.
(Now I'm about to do that cliche thing where I use physical activity as an allegory for life, so I apologize in advance.)
Both hands are on the bar, and I've got that jello feeling coming up through my legs, but instead of thinking, "What could go wrong?" I just breathe in the beauty of the sunset and bend my knees at the sound of "Ready!" and when they say "Hep!" I actually do it: I jump.
I swing all the way out and they say, "knees up!" and I'm using all my strength to get my knees over the bar, but they won't go. Turns out, you don't need to fight to get your knees up--your strength is no good here--all you need is to go with the flow, and the momentum of the swing will make sure you succeed. I try once more (more like, I
stop trying) at the apex of the swing, and soon, my knees are locked over the bar.
I swing all the way back to where I started, and they say "let go of the bar." I do, really fast. I whip upside down like a snake out of a trick can of peanuts. "Do it again, more gently," they say. So I grab the bar again, swing back, and then let go again, like a jack-in-the-box popping out. They make me do it three more times until I finally realize that they just want me to let go slowly and let the swing guide me to the spot where I can arch my back and grab onto my catch partner's hands.
I've seen that episode of Sex and the City called "The Catch" where Carrie can't make herself let go of the bar to catch the hot dude's hands. I thought surely I would be prey to the same pitfall. But the first time, I said to myself, "I'm going to do this," and I did. So did Adam.
We couldn't get enough. I kept climbing the ladder like the chubby kid at the water park trying to be first in line for the big slide. I even ended my two-hour trapeze lesson with a backflip (not caught on video)!
By the end of our session, and when I watched the footage of what I had done, I couldn't believe it. I have scarcely been so proud of myself, so surprised at what we humans can do when we just throw fear out the window and say, "yes!" As we walked back home, I couldn't stop smiling. I felt like I could do anything. I wanted to climb Everest or cook a three course meal blindfolded or smack a cop on the butt or something. I have to say, this won't be my last flying feat.
Flying through the air I learned, life
should be easy. Anyone who tells you otherwise is going against the laws of nature. You trust the net that's under you (and it
is under you, even if you can't see it), and you leap. You go with what feels simple, you go where life's swing takes you. Enjoy the view while you do it, and breathe, and congratulate yourself for a job well done. Clawing and muscling your way into some position isn't going to get you any further; it's actually working against you, and it'll end up hurting in the end. (I now know why they call them
trapezius muscles. It's because if you do trapeze, they will hurt for three days afterward.)
It's not that I'm really awesome, or some secret trapeze prodigy. It's just that I'm willing to try, willing to fail, and willing to give myself credit when it's due. Anybody in this world who looks like they're all professional or successful has actually just mastered "fake it 'til you make it." If you want to be a writer or an artist, say, "I'm a writer," or "I'm an artist," and nobody will contest the fact as long as you try and write or draw once in a while. You don't have to win the Pulitzer or have a gallery show before you're allowed to call yourself what you are. And then you'll look around one day and see that you are as far along your journey as some of the people you had always put on a pedestal.
You might not ever feel like you've "made it"-- you may always be looking above you to the next level of progress -- but other people will look at you and be very impressed.